These files are maintained strictly for historical reference, research, and recordkeeping purposes,
and the content has not been altered or updated since archiving.
Content on this site may not meet current digital accessibility standards.
If you require an alternative, accessible format of any information found on this site,
please contact Bruce Jones, bjones@ucsd.edu to request an accommodation.

These files are maintained strictly for historical reference, research, and recordkeeping purposes,
and the content has not been altered or updated since archiving.
Content on this site may not meet current digital accessibility standards.
If you require an alternative, accessible format of any information found on this site,
please contact Bruce Jones, bjones@ucsd.edu to request an accommodation.


[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]

Re: [xmca] Body expression as sign.



On Thu, May 24, 2012 at 6:07 PM, Jack Whitehead <jack@actionresearch.net>wrote:

> I'm wondering if anyone has any references you can send me that can help
> me to understand how to represent flows of energy with values, in
> explanatory principles that can be used in explanations of educational
> influences in learning?
>

Marvin Minsky. The Emotion Machine
http://www.amazon.com/The-Emotion-Machine-Commonsense-Intelligence/dp/0743276639
Different emotions mobilise the resources required for different ways of
thinking

I've written a summary. Ch 7 is relevant:
http://learningevolves.wikispaces.com/minsky#Chapter7

eg.1
The case of Elliot who lost part of his frontal lobes when having a tumour
removed (from Damasio's book *Descarte's Error*). His ability to reach
decisions was impaired. He displayed no emotions, there was no inner
turmoil to hush.

Damasio's interpretation: lack of emotion plays a role in Elliot's decision
making ability
Minsky's interpretation: his inability to make decisions reduced his range
of emotions and feelings

eg.2
"Valence" - the extent to which one's attitude toward some thing or
situation is generally positive or negative. Or an object's colour and
shape can change independently; we can think of objects or ideas as having
"matter of fact" or neutral aspects that are "coloured" by additional
emotional characteristics --> attractive, exciting, desirable - versus
disgusting, dull or repulsive

Minsky still has a draft of his whole book on his website:
http://web.media.mit.edu/~minsky/
__________________________________________
_____
xmca mailing list
xmca@weber.ucsd.edu
http://dss.ucsd.edu/mailman/listinfo/xmca